{"id":19264,"date":"2026-08-26T14:06:23","date_gmt":"2026-08-26T14:06:23","guid":{"rendered":"https:\/\/www.kalina-gallery.cz\/?page_id=19264"},"modified":"2026-08-31T13:23:06","modified_gmt":"2026-08-31T13:23:06","slug":"ochrymcuk-leonid","status":"publish","type":"page","link":"https:\/\/www.kalina-gallery.cz\/en\/ochrymcuk-leonid\/","title":{"rendered":"Ochrym\u010duk Leonid"},"content":{"rendered":"\t\t
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LEONID OCHRYM\u010cUK <\/strong>(Brno, 1929-2005)<\/p>

V roce 1952 absolvoval Pedagogickou fakultu UJEP v Brn\u011b, obor defektologie a v\u00fdtvarn\u00e1 v\u00fdchova (prof. F. Doubrava, E. Mi\u00adl\u00e9n, B. Urban a V. Makovsk\u00fd). Dlouhodob\u011b spolupracoval s d\u011btsk\u00fdm psychiatrick\u00fdm odd\u011blen\u00edm v Brn\u011b-\u010cernovic\u00edch, kde v\u00fdchovou prost\u0159ednictv\u00edm hry a fantazie, pomoc\u00ed modern\u00edch um\u011bleck\u00fdch technik a metodami arteterapie podporoval du\u0161evn\u00ed zdrav\u00ed d\u011btsk\u00fdch pacient\u016f. Zp\u0159\u00edstup\u0148ov\u00e1n\u00ed um\u011bn\u00ed a rozvoji kreativn\u00edho vid\u011bn\u00ed sv\u011bta se v\u011bnoval i v knize N\u00e1pady pro mal\u00e9 v\u00fdtvarn\u00edky, v n\u00ed\u017e p\u0159edstavil spojitosti mezi d\u011btskou tvorbou a sou\u010dasn\u00fdm um\u011bn\u00edm. Kniha byla vyd\u00e1na roku 1971, nebyla v\u0161ak po chuti tehdej\u0161\u00ed ideologii a byla rychle sta\u017eena z prodeje.<\/p>

Od roku 1972 p\u016fsobil jako odborn\u00fd asistent na Kated\u0159e estetick\u00e9 v\u00fdchovy Pedagogick\u00e9 fakulty UJEP v Brn\u011b, kde byl jmenov\u00e1n docentem (1982) a z\u00edskal titul profesora (1988). V pedagogick\u00e9 \u010dinnosti zd\u016fraz\u0148oval kontakt a komunikaci s okoln\u00edm sv\u011btem, vyzdvihoval experiment\u00e1ln\u00ed p\u0159\u00edstup k tvorb\u011b a zp\u0159\u00edstup\u0148oval aktu\u00e1ln\u00ed tendence v sou\u010dasn\u00e9m um\u011bn\u00ed.<\/p>

Na jeho um\u011bleckou pr\u00e1ci m\u011bla vliv Skupina 42, p\u0159edev\u0161\u00edm d\u00edla Franti\u0161ka Grosse. V \u0161edes\u00e1t\u00fdch letech se p\u0159esunul od t\u00e9matu krajiny k civilistn\u00edm n\u00e1m\u011bt\u016fm tov\u00e1rn\u00edho prost\u0159ed\u00ed. St\u00e1le \u010dast\u011bji se v\u011bnoval malb\u011b stroj\u016f a strojk\u016f, zn\u00e1zor\u0148oval parn\u00ed v\u00e1lce, traktory a kombajny, ikony zmechanizovan\u00e9 doby, kter\u00fdm prop\u016fj\u010doval antropomorfn\u00ed rysy. Tato d\u00edla zaujmou hravost\u00ed, ur\u010dit\u00fdm \u0161ibalstv\u00edm a smyslem pro grotesku.<\/p>

Znalosti v\u00fdvoje soudob\u00e9ho sv\u011btov\u00e9ho um\u011bn\u00ed Ochrym\u010duk konfrontoval s vlastn\u00edm tv\u016fr\u010d\u00edm hled\u00e1n\u00edm. Od poloviny \u0161edes\u00e1t\u00fdch let v tvorb\u011b zpracov\u00e1val podn\u011bty informelu a nov\u00e9 figurace, zaj\u00edmal jej pop art a bl\u00edzk\u00fd mu byl art brut Jeana Dubuffeta. Koncem \u0161edes\u00e1t\u00fdch let se v\u011bnoval tvorb\u011b hrav\u00fdch asambl\u00e1\u017e\u00ed, objekt\u016f a kol\u00e1\u017e\u00ed, vytv\u00e1\u0159el tak\u00e9 parafr\u00e1ze sv\u011btov\u00fdch d\u011bl nov\u00e9ho realismu.<\/p>

Od sedmdes\u00e1t\u00fdch let se v nelehk\u00e9m obdob\u00ed normalizace vracel k t\u00e9matu krajiny, k malb\u011b z\u00e1ti\u0161\u00ed a ke stroj\u016fm a strojk\u016fm. Roku 1978 za\u010dal ve sv\u00e9 tvorb\u011b kontinu\u00e1ln\u011b zobrazovat figuru LOBa, je\u017e postupem \u010dasu za\u010dala v jeho d\u00edlech dominovat a stala se neodd\u011blitelnou sou\u010d\u00e1st\u00ed jeho dal\u0161\u00ed tvorby v cyklech LOB\u016f, objektech LOB\u016f, malb\u00e1ch vyst\u0159ihov\u00e1nek a pohlednic s LOBY \u010di krajin\u00e1ch s LOBY.<\/p>

Ochrym\u010duk se od konce \u0161edes\u00e1t\u00fdch let pohyboval na brn\u011bnsk\u00e9 neofici\u00e1ln\u00ed um\u011bleck\u00e9 sc\u00e9n\u011b a stal se \u010dlenem skupiny Profil 58. V dob\u011b normalizace vystavoval d\u00edky aktivit\u00e1m teoretik\u016f um\u011bn\u00ed Igora Zho\u0159e a Ji\u0159\u00edho Valocha. S Igorem Zho\u0159em z\u016fst\u00e1val l\u00e9ta v p\u0159\u00e1telsk\u00e9m a inspiruj\u00edc\u00edm kontaktu. Jako zakl\u00e1daj\u00edc\u00ed \u010dlen se roku 1990 zapojil do aktivit um\u011bleck\u00e9ho brn\u011bnsk\u00e9ho spolku TT klub. Od roku 1989 se naplno v\u011bnoval um\u011bleck\u00e9 praxi, jej\u00ed\u017e pr\u016fb\u011bh v\u0161ak naru\u0161ilo komplikovan\u00e9 zran\u011bn\u00ed (1998).<\/p>

V roce 2000 z\u00edskal st\u0159\u00edbrnou medaili Masarykovy univerzity. Obdr\u017eel Cenu m\u011bsta Brna 2004 v oblasti v\u00fdtvarn\u00e9 um\u011bn\u00ed. Jeho d\u00edla jsou zastoupena ve sb\u00edrk\u00e1ch N\u00e1rodn\u00ed galerie v Praze, Moravsk\u00e9 galerie v Brn\u011b, Al\u0161ovy jiho\u010desk\u00e9 galerie v Hlubok\u00e9 nad Vltavou, Oblastn\u00ed galerie Vyso\u010diny v Jihlav\u011b, Muzea um\u011bn\u00ed v Olomouci, Hor\u00e1ck\u00e9 galerie v Nov\u00e9m M\u011bst\u011b na Morav\u011b, Galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v Hodon\u00edn\u011b, Krajsk\u00e9 galerie v\u00fdtvarn\u00e9ho um\u011bn\u00ed ve Zl\u00edn\u011b, Musea Kampa, Muzea Brn\u011bnska a v mnoha soukrom\u00fdch sb\u00edrk\u00e1ch.<\/p>

(text Radka Kaclerov\u00e1)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
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\n\t\n\t\tL\u00edc a rub\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
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\n\t\n\t\t\u0158ada\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tS\u00e1m\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tNa vertik\u00e1le\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tLOB a geo\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tPocta L.F.\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\t3 – LOB – 14\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
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\n\t\n\t\t6- LOB – 8\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\t7 – LOB – 9\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\t3 – LOB – 4\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tPr\u016fnik\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tLOB – fantom\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tKrajina n\u016f\u017eek\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tLOBov\u00e9 a ban\u00e1ny\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tLOB I\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tLOB II\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tLOB V\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tLOB III\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tDialogy\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tBez n\u00e1zvu\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tD\u00edlo\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>
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\n\t\t\t\n\t\t\t\t\"\"\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t<\/div>\n\t\t
\n\t\t\t
\n\t\n\t\tLeonid Ochrym\u010duk – LOB\t<\/a>\n<\/h5>\t\t\t
\n\t\t\t\n\t\t\tMinul\u00e1\t\t<\/a>\n\t\t\t\n\t\t\tV\u00fdstava\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t<\/div>\n\t<\/div>\n<\/article>\t<\/div>\n\t<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

LEONID OCHRYM\u010cUK (Brno, 1929-2005) V roce 1952 absolvoval Pedagogickou fakultu UJEP v Brn\u011b, obor defektologie a v\u00fdtvarn\u00e1 v\u00fdchova (prof. F. Doubrava, E. Mi\u00adl\u00e9n, B. Urban a V. Makovsk\u00fd). Dlouhodob\u011b spolupracoval s d\u011btsk\u00fdm psychiatrick\u00fdm odd\u011blen\u00edm v Brn\u011b-\u010cernovic\u00edch, kde v\u00fdchovou prost\u0159ednictv\u00edm hry a fantazie, pomoc\u00ed modern\u00edch um\u011bleck\u00fdch technik a metodami arteterapie podporoval du\u0161evn\u00ed zdrav\u00ed d\u011btsk\u00fdch pacient\u016f. Zp\u0159\u00edstup\u0148ov\u00e1n\u00ed […]<\/p>\n","protected":false},"author":2,"featured_media":19267,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"iawp_total_views":114,"footnotes":""},"class_list":["post-19264","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nOchrym\u010duk Leonid — Kalina Gallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kalina-gallery.cz\/en\/ochrymcuk-leonid\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ochrym\u010duk Leonid — Kalina Gallery\" \/>\n<meta property=\"og:description\" content=\"LEONID OCHRYM\u010cUK (Brno, 1929-2005) V roce 1952 absolvoval Pedagogickou fakultu UJEP v Brn\u011b, obor defektologie a v\u00fdtvarn\u00e1 v\u00fdchova (prof. F. Doubrava, E. Mi\u00adl\u00e9n, B. Urban a V. Makovsk\u00fd). Dlouhodob\u011b spolupracoval s d\u011btsk\u00fdm psychiatrick\u00fdm odd\u011blen\u00edm v Brn\u011b-\u010cernovic\u00edch, kde v\u00fdchovou prost\u0159ednictv\u00edm hry a fantazie, pomoc\u00ed modern\u00edch um\u011bleck\u00fdch technik a metodami arteterapie podporoval du\u0161evn\u00ed zdrav\u00ed d\u011btsk\u00fdch pacient\u016f. 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